1st Year - Jerome Robbins
Jerome Robbins
(1918 – 1998)
One of Broadway and Hollywood's greatest choreographers, Jerome
Robbins helped change the face of modern dance with his breath-taking ballets
and spectacular musical stage productions.
Robbins made ballets
in a wide variety of styles: classical, comic, dramatic, abstract, intimate,
spectacular, modern, and traditional. With a broad and restlessly searching
intellect, he continually explored new influences and ideas.
He brought an authentic American style to a European art
form, and helped to elevate dance in
musical theatre from pure
entertainment unconnected to the story into a vehicle for defining character
and advancing the story. His Broadway
dances always expressed dramatic content
and evoked rich, fully imagined worlds—whether the court of Siam or the gritty,
gang-run streets of New York. Robbins had a particular gift for choreography
that allowed men to look modern, masculine, even tough, without sacrificing
lyricism; and also a gift for choreography that made the best use of
non-dancers. He always pushed his
performers toward a style that looked easy and natural, yet completely engaged.
A central theme
that runs through Jerome Robbins’s work is the nature of communities: gangs, villages, tribes, intimate groups of friends, loose
urban societies. Among performers he had a fearsome reputation as a taskmaster, and his feelings about his
own identity—particularly his religious and family background and his sexual
orientation—were complicated, conflicted, and insecure. In his choreography,
however, he created moving portraits of friendship, kinship, courtesy, and
resilient communal bonds.
Why not check out some of the below title's to see the work that he has been involved in. This includes productions he danced in which would have had an influence on the work he choreographically created.
Answer the below 2 Questions in 400 words:
- What are three qualities that make Jerome Robbins choreography unique?
- How do you think these qualities are reflected in your Billie Eilish Routine?
Date
|
Title
|
Information
|
1939
|
Keep off the grass
|
A
musical revue choreographed by George Balanchine for Broadway and danced
by Jerome Robbins
|
1944
|
Fancy Free
|
A ballet
about three sailors on shore leave in New York during WWII. Characters
based on himself and two friends from Ballet Theatre
|
1944
|
On the Town
|
A musical
inspired by ‘Fancy Free’ with music by Leonard Bernstein
|
1945
|
Billions Dollar Baby
|
Set in the 1920s, it follows the adventures of an ambitious young woman, in
her quest for wealth during the Prohibition era
|
1947
|
High Button Shoes
|
Act 2 staged like a
slapstick silent film; running in and out of doors
|
1951
|
Small house of Uncle Thomas – The King and I
|
A traditional Siamese
dance performed in the musical ‘The
King and I’ to narration about slavery
|
1953
|
Afternoon of a Faun
|
Set in a ballet studio (a three wall set)
lounging on the floor. A ballerina enters and dances facing the audience as
though looking into the mirrored wall of the studio.
|
1954
|
Pajama Game
|
Deals with labour
troubles in a pyjama factory. Co-directed by Jerome Robbins and choreographed
by Bob Fosse
|
1954
|
Peter Pan
|
Musical
adaption of J. M. Barrie’s play about the boy who never grew up
|
1956
|
The Concert
|
Jerome Robbins holds a
mirror up to audiences everywhere in this exuberant comic ballet, set to Chopin’s well-loved
piano music
|
1957
|
West Side Story (Broadway)
|
A musical conceived, directed and choreographed by Robbins.
Inspired by Shakespeare’s Romeo and Juliet
|
1958
|
NY Export: Opus Jazz (Broadway, later made into a film) choreographed
for his own company Ballets U.S.A
|
‘The ballet in sneakers’ The story of disaffected urban youth through movement that blended
ballet, jazz and ballroom dancing with Latin, African and American rhythms to
create a powerfully expressive and contemporary style.
|
1959
|
Gypsy
|
Loosely based on
the 1957 memoirs of Gypsy Rose Lee, the famous striptease artist. It
follows the dreams and efforts of Rose to raise two daughters to perform
onstage and casts an affectionate eye on the hardships of show business life
|
1961
|
West Side Story (Film)
|
Film adaption of the
Broadway hit. Bringing the Jets and the Sharks to the big screen
|
1964
|
Fiddler on the Roof
|
|
1964
|
Funny Girl
|
Comedienne Fanny Brice
(making Barbara Streisand a superstar)
|
1970s – 1980s
|
Robbins became Ballet Master of the New York City Ballet (1972)
|
Robbins worked almost exclusively in Classical Ballet throughout the decade. He also
choreographed and staged productions for the Joffrey Ballet
|
1989
|
Jerome Robbins Broadway
|
A Broadway recreation of the most successful production
numbers of Jerome Robbins from his 50 year career
|
1998
|
Les Noces
|
A ballet made to
Stravinsky’s eponymous music for NY City Ballet. The last of Robbins’ work
before his death
|
Other references you could look to are:
The blog of 400 words to answer the two questions mentioned earlier is due by Friday 6th March at 8.30am.
Please send your published blog link to the email address here.
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